If you’ve been keeping up with me on social media, you’ve probably noticed that I’ve been a lot more active and promoting another blog. Over the past few weeks, I’ve joined the cabal of drowsy scribes over at Sleeping Village Reviews, a blog that specializes in underground metal music and pretty much anything that qualifies as heavy. I mentioned in my “by the numbers” post for 2019 that heavy music makes up a majority of what I listen to. Since I try to cover a wide range here, a lot of stuff that I’d like to review goes unmentioned. Contributing to Sleeping Village will help to balance out the ratios of what’s heard and what’s written. I’ve already written four reviews for the Village, below you’ll find excerpts and links to all four. And please, spend some time browsing around the Sleeping Village in general. There are many talented writers, and if heavy music is your thing, you’re bound to find something you’ll like.
DESERT STORM – OMENS–One of the things that initially drew me to doom metal and stoner rock was the way that the music complemented the aesthetics of one of my favorite sci-fi subgenres: the post-apocalypse. Something about the dark tone of the lyrics and sludgy riffs calls to mind images of blighted landscapes, lone wanderers, lawless lands, and road warriors. It’s especially gratifying when the artists recognize this correlation themselves, look no further than Truckfighters’ “Desert Cruiser” or Wo Fat’s “Lost Highway.” The UK’s Desert Storm also recognize this correlation and lean into it. The music video for “Drifter” off their 2018 release Sentinels is comprised entirely of clips from Mad Max 2. This fascination with the end of days is still present on Omens, their newest release, but this time it’s through the lens of mystical medieval fantasy… Read More
BLACKLAB – ABYSS–If you told me at the beginning of the year that one of the best sludge metal albums I’d hear in 2020 would come from two Japanese girls… I’d lean in closer and ask you to tell me more. I don’t know about you, but in my experience, when women are involved in making hard rock and metal on the doomy side of things, it tends to be pretty damn good more often than not. Some of my favorite albums from the past couple of years have been from bands like Windhand, Castle, and Electric Citizen. And this year we’ve already had great albums from Konvent and Lucifer. Well, get ready to add BlackLab to the pile… Read More
THE SONIC DAWN – ENTER THE MIRAGE–In the world of heavy psych-rock, the majority of influences often come from the rock bands of the ‘70s, and if we’re honest, the modern bands more resemble hard rock and early heavy metal. Ultimately, this is understandable; modern heavy psych likely comes from a desire to trace heavy music back to its roots, and the origin of heavy metal is often, though not without contention, considered to be Black Sabbath’s 1970 self-titled debut. As such, many of the sounds and aesthetics emulated in heavy psych come from the time period immediately before and after that key event. You rarely hear modern bands going for the sound of the true psychedelic rock of the mid-’60s, and that’s why The Sonic Dawn is different… Read More
FIRE-TOOLZ – RAINBOW BRIDGE–I’m pulling something from the deep recesses of left field for you today. But when you’ve listened to as much music as I have, left field can provide welcome, refreshing, if sometimes puzzling breaks from the norm. (There’s a reason music critics praise experimental music so highly.) The harsh sounds of heavy metal’s more extreme sub-genres make them excellent sonic palettes for experimental artists. The best artists will recognize the similarities in different styles of music and bring them together, or they will contrast two very different genres that otherwise would never mix. The latter can be found in Fire-Toolz, who juxtaposes the clean, hazy, and nostalgic sounds of vaporwave with the harsh and oppressive sounds of black metal, noise, and other extreme genres… Read More