It’s already been about a month since my last post like this, and yet again there was a lot of good music that I didn’t get to write a full review for. I was hoping to get one more out before this, but life got in the way like it does. So once again, here are some albums that I think might be worth your time. Like I said last time, as these are all “good,” their score would be 3.5 or higher if I gave them a full review. On to the musics.
BLIND GUARDIAN TWILIGHT ORCHESTRA – LEGACY OF THE DARK LANDS–They’ve been hinting at it for years and now Blind Guardian have finally delivered on the promise of an orchestral album. Never ones to half-ass anything, this album is massive, sounds massive, has interludes with dialogue, and a second disc with instrumental versions of everything. It can be a slog and it’s hard to keep up with the story, but the companion novel (The Dark Lands by Markus Heitz) is available in English now, so I’ll probably be revisiting this one.
BLOOD INCANTATION – HIDDEN HISTORY OF THE HUMAN RACE–Death metal is a pretty saturated genre right now, and a lot of it is competent but a bit bland as far as death metal goes. Blood Incantation are not bland. They actively push their sound and songs in interesting directions. I do personally wish the last track was broken up into two or more tracks, but this is a great example of what the genre is capable of.
BOTANIST – ECOSYSTEM–Like I said in my Liturgy review, black metal doesn’t really appeal to me unless there’s something that differentiates it from the “traditions” of the genre. Botanist plays black metal on hammered dulcimers. It doesn’t get much more non-traditional than that. More seriously, as the name implies, Botanist sounds organic and they have the talent to make this more than just a novelty.
DJ SHADOW – OUR PATHETIC AGE–This album is split into two halves with instrumentals on the first half and all-star guest rappers on the second. The first half is fine, but the second half is what you really want to hear. It has strong guest verses by people like Nas, Pharoahe Monch, Run The Jewels, and a mini Wu-Tang reunion. Shadow drops some sweet beats and brings out the best in his guests.
FKA TWIGS – MAGDALENE–I’m not convinced that this album deserves all the hype that it’s getting, but it’s still very good. Twigs is one of the artists on the leading edge of pop music, pushing it further into the future and exciting new places. It’s her first full length in 5 years, the production is great, and she sounds great.
R.LUM.R – SURFACING–I normally don’t go for a lot of modern R&B music, but for some reason I’m just drawn to this guy. I don’t know if it’s his melodies, his falsetto, his unabashed love of indie and prog rock, or the fact that the songs aren’t exclusively about fucking. Either way, if I like an R&B record, there’s something special about it that makes it stand out. And this one does stand out to me.
HARRY NILSSON – LOSST AND FOUNND–Nilsson was working on a new album around the time that he died in 1994. Now, almost 40 years after his last studio album, we finally have a release from those sessions. The result is a time capsule of what singer-songwriter music was like in the late ’80s and early ’90s. It’s definitely a product of its time, but it shows that Nilsson still had his writing chops towards the end of his life.
I BUILT THE SKY – THE ZENITH RISE–One of the biggest challenges with instrumental guitar music is to keep it from sounding like self-indulgent wankery. It happens a lot with the shreddy metal stuff especially. Rohan Stevenson avoids this with his strong melodies. His songs are technically impressive, but they still have melodic soul that keeps you from tuning out.
OBSEQUIAE – THE PALMS OF SORROWED KINGS–A little heavy on the metal this month, aren’t we? Anyway, Obsequiae plays black-ish medieval folk tinged metal and utilizes actual medieval instruments like harps, hammered dulcimers, hurdy gurdies, psalteries, and more. There are even instrumental tracks played exclusively on these instruments. It sounds like it could come across as a little pretentious, and in some ways it does. But overall, the band provides an interesting listening experience.
TNGHT – II–Last, but certainly not least, Hudson Mohawke and Lunice finally give us a proper follow-up to the amazing trap EDM EP that was their 2012 debut as TNGHT. This one isn’t strictly trap music, but the relentless energy of the first release is still here. It’s loud, it’s a little strange sometimes, but it gets you moving, which is all I really ask from TNGHT.